Precious

“Precious,” the harrowing story of a 350-pound illiterate teenage girl who is pregnant for the second time by her father and horribly abused by her mother, is shot in an almost-documentary style interspersed with fantasy sequences. (It opens Nov. 6.) Like most independent films, it is character-driven, and at its heart is a spirit of understanding. When Precious’s plight lands her in a special school, she blossoms: the audience’s initial rejection of Precious, even repulsion at the sight of her, slowly gives way to a kind of identification.

At Cannes, the film received a 15-minute standing ovation. “They wouldn’t stop clapping,” Daniels told me as he gulped a vodka. “I’m a director — after six minutes, I’m saying, please sit down. But I’m also a producer, so I’m thinking, what’s the record? Can we break the record for the longest standing ovation at the festival?”